Look around, 'round, 'round, 'round..

There's a moment every year, just before Thanksgiving, when I get the email reminding me that a new music issue of the Oxford American is coming along. And it makes me smile. And click the link. The tracklist this year looks particularly strong. I can't wait to dive in!

Other various and sundry observations and notes and internet scrapings:

• A great write up of The Ear in the NY Times. One of my favorite bars in the world. And it pulled me back to those late-summer nights in early 2000's NY. A different world, for sure, on so many fronts. The layers of history, a palimpsest.

• EO sent me this amazing oral history of Nirvana's Unplugged sessions. Well worth the read! I love this image:

  Bobcat Goldthwait (comedian-filmmaker): Kurt was a fan of my stand-up. It’s like finding out that Jimi Hendrix really liked Buddy Hackett. He wanted to meet me. It was before the band had broken. I was in Ann Arbor doing a gig and I think Nirvana was playing the Blind Pig. Kurt wanted to meet me, so he interviewed me on the college radio station, even though we were both guests. It was weird. He’d written a bunch of questions on a paper bag, and it really just digressed to us making fun of the Grateful Dead.

• Dylan's been doing a James Brown cover lately. Not sure it measures up to the original, but love that he's digging deep again.

• Earlier this week I caught the Pulse show at the Hirshhorn just before closing. And the place was empty. And it was _amazing_. Seeing an entire room of old filament lightbulbs beat in time to your hearbeat for a few seconds, and then get swallowed up into the most recent bulb, was quite powerful. I found it more emotional than I expected. There was subtlety and beauty and that sort of awe you get when you look at the stars on a clear night.

• Speaking of emotional. The end of Serial this week was quite powerful. She didn't pull punches - and Josh's story was a good note to end on. But the frustrating thing is that it doesn't seem to be making any difference. Aside from at the margins. Within the choir. But it's making me think about my role within the system. And what, if anything, I can do. But at the very least, well worth listening to. And thinking about. And debating.

• After There, There, I'm headed back in time to pick up one of the books I missed in High School! Let's hear it for Pip and Great Expectations! So far it's funnier than I expected. And a fairly easy to read.

• Been listening to a lot of White Album this week. The NPR podcast, All Songs Considered, does a great deep dive on the making of the album that got in my veins. They were only 27! Amazing..

That, for now, is all. I'm working up an art-centric NY trip soon-ish. On the agenda: the Armenia show at the Met (and maybe Delacroix), and the Klint show at the Guggenheim. And, if its available with a TKTS-discount and the timing is feasible, The Ferryman.

Waltzing Through Fall

Last night, I took J trick-or-treating through Trinidad (along with E, for a bit, and Z for a bit longer). She was Eliza (from Hamilton!), but acquired vampire fangs (and a tiara) along the way, so quickly became vampire Eliza. It was a perfect mid-fall night. Dry, warm, leaves just starting to turn. The streets filled with old friends and flowing with candy. Per J, I'm strictly rationed to: (3) Kit Kat bars; (1) roll of smarties; and (1) mini-Butterfinger. Which is probably all I need anyway.

Things that have been rattling around the internet, etc. this week:

• This piece on Outlaw Country in 33 Songs is amazing and detailed. And makes me think of Texas. The first time I heard Dallas in Tim's backyard. And now has me listening to a string of Jimmie Dale Gilmore songs at my desk. But the opening interview with Steve Earle is a lot of fun too. Money quote:

  Who do you think embody some of those outlaw principles these day?

  A lot of them are girls. Miranda Lambert’s last record is a fucking masterpiece. Women are being marginalized in country music more than ever, just because bro country thinks it’s such a dude thing. Women are reacting to it and they’re the best songwriters. A lot of it’s Brandy Clark. She’s in the middle of it all and she’s a badass.

• I'm quite looking forward to going to the Hirshhorn (maybe lunch tomorrow?) to see the Pulse show! It seems like it could bear repeat visits...

• I saw a free bluegrass show at Pearl Street Warehouse on Tuesday night. The band, Off the Rails, was fun and had a nice deep repertoire - from Hank Williams (Hey, Good Lookin'!) to Mandolin Orange (Waltz About Whiskey) to Sturgill Simpson (Long White Line). But the venue was a little slick and a little quiet (I mean, it was a Tuesday night). The waltzes were made for dancing two-step and the floor stayed empty. But, it was free, and the gumbo was truly delicious!

• Yet another reason to go to NYC for art!

• And, speaking of art, Dumbarton Oaks now opens at 11:30a! And starting today, the gardens (open at 2p), are free. May well be worth a bike ride over there..

• This week Punch did a series on now-defunct bars. Even though I only went to the Mars Bar once, this piece is well-written and nicely captures what I remember about it.

• No new Serial today! Which just means more time to re-listen to the last few episodes. It's truly amazing this year. And I'm somewhat surprised (but not really) that the response has been so muted. It seems like these conversations, explorations, are exactly what we should be highlighting right now.

Parents coming to town soon. Swimming and shed building and (hopefully) some more of these perfect fall days for rambling.